Aperçu des semaines
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Aula 1 -
I - Introdução ao Curso
II - AVALIAÇÃO
- Cada aluno deve apresentar pelo menos um dos textos da bibliografia do curso
- Ao final do curso, cada aluno deve entregar um artigo sobre um dos temas abordados no curso
- A nota final será calculada a partir dos seguintes critérios:
- Presença: 10%
- Participação: 20%
- Seminário: 20%
- Artigo 50%
III - Artigo Final
Vejam as normas para o artigo final em:
https://docs.google.com/document/d/1fknKNUwZ30edMKPWpr6PUP9HfYSaI7tTwxW9FQuqFU8
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Aula 2 (19/03) - O Som - Estudos do Som - Sonologia
Sterne, Jonathan. Capítulo 1: Sonic Imaginations. In The Sound Studies Reader. New York: Routledge, 2012, pp. 1-17.
Iazzetta, Fernando. Estudos do Som: um campo em gestação. Revista do Centro de Pesquisa e Formação - SESC, v. 1, p. 146-160, 2015.
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Aula 3 - Fonografias I
Link para gravação da aula
https://drive.google.com/open?id=16Ah4t3l-4MxpwYw-qSEw923rQ1PhD_S9TEXTOS PRINCIPAIS:
Kahn, D., 1994. Introduction: Histories of sound once removed. In D. Kahn & G. Whitehead, eds. Wireless imagination: sound, radio and the avant-‐garde / edited by Douglas Kahn and Gregory Whitehead. Cambridge MA;;London: MIT Press, pp. 1 – 29.
https://drive.google.com/file/d/1_p4owQ32SQj3flOtmq7u_utx4lRdErPv
Kahn, D. “The Sound of Music,” The Auditory Cultures Reader, edited by Michael Bull (London: Berg Publishers, 2003), 77-90.
https://drive.google.com/file/d/1Z5FKscHMiB54x2NgeEufQ7pPgIhUXSyH
Kittler, Friedrich. Excerpt from “Gramophone,” Gramophone-Film-Typewriter, translated by Geoffrey Winthrop-Young and Michael Wutz, 87-114. Stanford:Stanford University Press, 1999.
https://drive.google.com/file/d/0Bx7rCJ4nwHZkREJzbTV6Tmk0YUk/
TEXTOS AUXILIARES:
Theberge, Paul. "The new sound of music", pp. 186-213. In: Any Sound You Can Imagine: Making Music/Consuming Technology. Wesleyan University Press, 1997.
https://drive.google.com/file/d/1T2CIOvZ3jDzaXDnJiBhpbOVIJ1g6ySjt
Thompson, Emily (1995) ‘Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877-1925’ , Musical Quarterly 79(1): 131-171 .
https://drive.google.com/file/d/1SiATUsxWPXypYH-8hGEhn2mCSBm590GP
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Aula 4 - Fonografias II
Link para a gravação da aula:
https://drive.google.com/open?id=1-KcRO1joyFYeYBHIjZpQD4DmNQaMyt2r(Apresentação: Tiago, Felipe, Esteban)
Ihde, Don (2007). Technologies-Musics-Embodiments. _Janus Head_ 10 (1):7-24.
https://drive.google.com/file/d/1pl73g44N1973GYhpUxyPnW-Jx_USd-t8
Hosokawa, Shuhei. “The Walkman Effect.” Popular Music 4 (1984): 165-80. (Disponível em J. Stern (Ed) The Sound Studies Reader, pp. 104-116)
https://drive.google.com/file/d/0Bx7rCJ4nwHZkMmY5T1hGN0FJQ1E
Textos auxiliares:Bull, Michael (2001) Personal stereos and the aural reconfiguration of representational space. In: Munt, Sally R (ed.) Technospaces: inside the new media. Critical Research in Material Culture . Continuum, London ; New York, pp. 239-254.
Bull, Michael. “No Dead Air! The iPod and the Culture of Mobile Listening.” Leisure Studies 24, no. 4 (2005): 343-55.
https://drive.google.com/file/d/1sM1Dc1nFkqEakw3OUmL2aH5ZCNHfzfRu
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Aula 5 - Paisagens Sonoras
Link para gravação da aula:
https://drive.google.com/open?id=1sFYFUbk7dnC6nxdvTezmnHmkYGoM75DI(Apresentação: Alessandra, Murilo, Neila)
Thompson, Emily. Introduction, pp 1-12. In: The Soundscape of Modernity: Architectural Acoustics and Culture of Listening in America, 1900-1933. Cambridge, Massachusetts: The MIT Press, 2002.
https://drive.google.com/file/d/17xuzTO4TE1h9KJWiIHUMJDCLYGvMo9US
Schafer, R. Murray. ”Introduction,” “Listening” and “The Acoustic Community,” The Soundscape: Our Sonic Environment and the Tuning of the World, 3-12, 205- 225. Rochester: Destiny Books, 1994 (1977).
https://drive.google.com/file/d/1SerWR9fzBoCedlOYfChD1fluDryADkoS
Schafer, Murray R. 2003. “Open Ears,” Auditory Culture Reader, 25-40
https://drive.google.com/file/d/1sLJA0S3wOU1p9nQEabtbotuWuL99y7Zu
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Aula extra - Questões musicais dos séculos XX e XXI e repertório
** Esta aula não foi gravada **
(Apresentação: Fernando Iazzetta)
Playlist:
https://www.youtube.com/playlist?list=PLdqxvqYyXeZpNnECBQdyR9jQfK7IxRdPo
Modernidade:
Eduard Hanslick Música Pura/Programática
Richard Wagner (Parsifal)Inicio do Século XXClaude Debussy: Estética da SonoridadeIgor Stravinsky: Sagração da PromaveraEscola de Viena: A. Schoenberg, A. Webern, A. BergEntre-guerrasFuturismoJazz/ExperimentalismoBéla BartokEdgard Varèse (1893-1965)Olivier MessiaenPós-Guerra: Darmstadt; serialismo Integral, eletroacústica, indeterminaçãoKarlheiz Stockhausen (1928-2007); Pierre Boulez (1925-2016);Luigi Nono (1924-1990), Bruno Maderna (1920-1973), Luciano Berio (1925-2003)Iannis Xenakis (1922-2001)Gyorgy Ligeti (1923-2006)Pierre Schaeffer (1910-1995)John Cage (1912-1992)Minimalismo/ExperimentalismoSteve ReichLa Monte YoungAlvin LucierMúsica EspectralGérard Grisey, Tristan Murail, Hughes Dufourt, Michaël LevinasNova complexidade / Nova SimplicidadeBrian FerneyhoughWolfgang RihmComputer MusicArte Sonora -
Aula 6 - O som "em si"
Link para a gravação da aula:
https://drive.google.com/open?id=1xCNG1THccG2kA2MR8igjjH2hKiv6uFMi(Apresentação: Giovana, Leon, Thiago, Bruna)
Kim-Cohen, Seth. "Sound in itself", pp 123-148. In the Blink of an Ear toward a Non-Cochlear Sonic Art. New York: Continuum, 2009.
https://drive.google.com/file/d/15Zj0gEKJ_NeBM8Rza5xa4ouy5s0drj2o
Cage, John. "Experimental Music", pp 7-18. In Silence : Lectures and Writings. Middletown, Conn. : Wesleyan University Press, 1961.
https://drive.google.com/file/d/16cqUgrosf_12PPWvTFLONEu7CErz2pzI
Schaeffer, Pierre. "The concrete approach" e The experimental method", pp 113 a 130. In search of a concrete music, 2012 [1942].
https://drive.google.com/file/d/1Asc96Zmwf7fRJd8vA8u8Oz78MawHO4KX
Textos complementares:Schaeffer, Pierre. “La Musique Par Exemple. Positions et Propositions Sur Le Traité Des Objets Musicaux.” Musique En Jeu, 25, November 1976, 32–38.
https://drive.google.com/file/d/12jpb-oTPNOsJqx5SnF4ZmjT3r8rsim3t
Cox, C. (2011) ‘Non-Cochlear Sound’ review in Artforum (January 2011) [online]. Available at:
http://annewalshjr.org/bio/images/Non-Cochlear_Sound.pdf
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Aula 7 - Sons da história
(Apresentação: Vicente, Henrique, Guilherme dos Santos)
Link para a gravação da aula:
https://drive.google.com/file/d/1Y5lFqqo0f0-jgJiWobroLErAx_HNxeq2/view?usp=sharing
Gautier, Ana María Ochoa. Introduction, pp. 1-29. Em: Aurality: Listening & Knowledge in Nineteenth-Century Colombia. Durham & London: Duke University Press, 2014.
https://drive.google.com/file/d/1tlcaZ7vxPJk1T5CDLJvbYVy2MXvn9cYM
Sterne, Jonathan. Mediate Auscultation and Medicine's Acoustic Culture, pp 99-128. Em: The Audible Past: Cultural Origins of Sound Reproduction. Durham & London: Duke University Press, 2003.
https://drive.google.com/file/d/0Bx7rCJ4nwHZkSEpObkVLc1Jmb1E
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Aula 8 - Música do outros
(Apresentação: Cecilia e Marcelo)
Link para a apresentação da aula:
https://drive.google.com/file/d/1xkKGu7MaTlYwt1L56O7wFDf78-yaZU5H/view?usp=sharing
Born, Georgina, and David Hesmondhalgh, eds. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, 2000.
https://drive.google.com/file/d/0Bx7rCJ4nwHZkbXpadDdnNXhUZm8
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Aula 9 - Os sons dos outros
(Apresentação: Murilo e Vicente)
Link para a gravação da aula:
https://drive.google.com/file/d/13d5ev_uRriB4Vk6IM2U-gRxJ0VdOZZ_s/view?usp=sharingFeld, Steven. Acustemology. In Novak, David, and Matt Sakakeeny, eds. Keywords in Sound. Durham ; London: Duke University Press Books, 2015, pp 12-21.
https://drive.google.com/file/d/18yQUqHZxmMNYnjfhv5iVmmt3kOpP2yP7
Feld, Steven. A Rainforest Acustemology. In The Auditory Culture Reader. M. Bull and L. Back (Eds). Berg, 2003.
https://drive.google.com/file/d/1oTRfFSq60T85I0yfzjlkE-eEBqA_o-Eu
- Facina, Adriana ; Palombini, Carlos . O Patrão e a Padroeira: Momentos de Perigo na Penha, Rio de Janeiro.. Mana, v. 23, p. 341-370, 2017.
https://doi.org/10.1590/1678-49442017v23n2p341
Textos complementares:Entrevista com Steven Feld (em português):
http://www.revistas.usp.br/ra/article/view/102113
Rainforest Sondwalks:
http://www.deezer.com/playlist/4321180966
Bosavi Songs:
http://www.deezer.com/playlist/4321152246
Samuels, David W; Meintjes, Louise; Ochoa, Ana Maria; Porcello, Thomas. Soundscapes: Toward a Sounded Anthropology. Annu. Rev. Anthropol. 2010. 39:329–45.
https://drive.google.com/file/d/1JfFex57pllQD_hZWtxlg5_EHxEmEGNEh
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Aula 10 - Som e Política
(Apresentação: Pedro, Neila)
Link para o vídeo da aula:
https://drive.google.com/file/d/1m2r2ReHC28zjZvRmB0O1H7McvoPjFnCX/view?usp=sharingCusick, S. (2013). Towards an acoustemology of detention in the ‘global war on terror’. In G. Born (Ed.), Music, Sound and Space: Transformations of Public and Private Experience (pp. 275-291). Cambridge: Cambridge University Press.
https://drive.google.com/file/d/0Bx7rCJ4nwHZkMEFCSjNUTXF6azATara Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Duke University Press, 2010. (Introduction pp. 1-21)
https://drive.google.com/file/d/1tGaTxB69PEXEv25FWASzlOpruAx-_cNt
Textos Complementares:
Attali, Jacques. “Listening,” Noise: The Political Economy of Music, translated by Brian Massumi, 3-20. Minneapolis: University of Minnesota Press, 1985.
https://drive.google.com/file/d/1Q7zqCjeHe9AOgSEJ14oZDyeY0PlSVhiv
Birdsall, Carolyn. "Mobilising Sound for the Nation at War", pp. 103-139. In Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933-1945. Amsterdam: Amsterdam University Press, 2012.
https://drive.google.com/file/d/1d3-EYUfmHXdPYQbZOkAnKMs5AxC4MPn7
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Aula 11 - Som como imagem
(Apresentação: Renata, Kleber, Brisa)Connor, S. (2011) ‘Ears Have Walls: On Hearing Art’ in Kelly, C. (ed.) Sound. Cambridge: MIT Press, pp. 129-139.
https://drive.google.com/file/d/1IOnwEsW_aJ3Vp3veH0pgz6yCwotWcHZh/
Iazzetta, Fernando. A imagem que se ouve. In: Gilbertto Prado; Monica Tavares; Priscila Arantes. (Org.). Diálogos Transdisciplinares: Arte e Pesquisa. 1ed.São Paulo: ECA/USP, 2016, v. 1, p. 376-395.
https://drive.google.com/file/d/1X5Xh8HeENE1VaQSmBluifM2YIWsV-xev
CAESAR, R. 'O som como imagem'. In: IV Seminário Música Ciência Tecnologia: Fronteiras e Rupturas, 2012, São Paulo. São Paulo: ECA-USP, 2012. v. 1. p. 255-262.
https://drive.google.com/file/d/1ku9tNL7cKxPPuBhGzGEKcBN45na-3SXu
Texto complementar:
Drobnick, J (2004). ‘Listening Awry’ in Drobnick, J. (ed.) Aural Cultures. Toronto: YYZ Books, pp. 9-15.
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Aula 12 - Engajamento
Apresentação: (Guilherme Ribeiro e Giovanna)
Link para o vídeo da aula:
https://drive.google.com/file/d/1wG1-Qe2tsodX5yTPz0JCL-mx0kXCANe1/view?usp=sharing
- Lewis, George. Improvised Music after 1950: Afrological and Eurological Perspectives. Black Music Research Journal, Vol. 16, No. 1 (Spring, 1996), pp. 91-122
https://drive.google.com/open?id=1UFA8b7EM5B3m-X-zHpl1MkxASnuiXao5
- Campesato, L., Iazzetta, F. (2019) "Práticas locais, discursos universalizantes: relendo a música experimental". In: Desobediência Sonora: Selos de Música Experimental e suas Tecnologias de Sustentabilidade, Editado por Cristiano Figueiró, 15-72. Salvador, EDUFBA.
http://esmeril.ufba.br/e-book/
- Lewis, George. Improvised Music after 1950: Afrological and Eurological Perspectives. Black Music Research Journal, Vol. 16, No. 1 (Spring, 1996), pp. 91-122