Programação
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Notícias e avisos
O link para acesso pelo Google Meet será enviado 45 minutos antes do início
04 de janeiro: apresentação dos Seminários. -
Deadline : JANUARY 04, 2022
Send your Final Evaluation as an e-mail attachment to introteatro2015@gmail.com in an individual and specific message with the subject identified as
FINAL EVALUATION + YOUR NAME
Prazo: 04 DE JANEIRO DE 2022
Envie o seu Final Evaluation como um anexo de e-mail para introteatro2015@gmail.com em uma mensagem individual e específica com o assunto identificado como
FINAL EVALUATION + SEU NOME
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Gentilmente compartilhado por Ingrid Benício.
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Também compartilhado por Ingrid Benício.
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Gentilmente compartilhado por Lara Loz Maciel e por Ingrid Benício.
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Compartilhado por Lucas Brichesi Minari.
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Compartilhado por Ingrid Benício.
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Compartilhado por Ingrid Benício.
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Montagem do Folias d'Arte. Direção Marco Antonio Rodrigues.
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Este trabalho tem por objeto de estudo a peça Macbeth une Tragédie de William Shakespeare comme elle est actuellement jouée au Théâtre du Soleil (2006), texto traduzido, adaptado e encenado por Ariane Mnouchkine, e investiga o processo criativo do Théâtre du Soleil no decurso da montagem, e os diversos elementos que compõem o espetáculo em cena, analizando a atualidade e a pertinência política do texto shakespeareano, e da encenação mnouchkiniana, na contemporaneirdade, e sua inserção no contexto histórico da prestigiosa companhia francesa, que se mantém como um coletivo de teatro, ativo e criativo, desde a sua fundação, em 1964. A dissertação propõe reflexões sobre o conceito arendtiano de banalidade do mal, e sua aplicação à encenação contemporânea de Macbeth, pelo Théâtre du Soleil.
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1979 videotaped version of Trevor Nunn's Royal Shakespeare Company production of the play Shakespeare. Produced by Thames Television, it features Ian McKellen as Macbeth and Judi Dench as Lady Macbeth. The TV version was directed by Philip Casson.
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Legendas em português.
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Scofield in the lead role, was first broadcast on the Third Programme in April 1966 and was subsequently repeated on Radio 4 when the network was launched in 1967. It is one of the few dramas from that period which has been retained by the BBC archive, and it was aired again on 10th May 2008 as part of the BBC7 tribute to Paul Scofield who died in March 2008 at the age of 83.
Paul Scofield: Macbeth Peggy Ashcroft: Lady Macbeth David Westen: Malcolm
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Adrian Lester (Othello) and Rory Kinnear (Iago) talk about their characters, the relationship between them, their relative position in the social and military hierarchy of the play and the motivations for their actions. This film includes footage from the National Theatre's 2013
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Video interview of Ewan McGregor talking about his character Iago, for the Donmar Warehouse Othello production November 2007 - February 2008
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The value-laden adjectives, "noble" and "honest," are tossed around frequently in Shakespeare's play, and yet the action of the play forces audiences to question their meaning. What makes Othello noble, or what makes him seem noble? How is that label connected to the constant reference to Othello as an "other," namely "the Moor"? And why does everyone in the play, not just Othello, think of Iago as "honest" when the audience knows his scheming? How does Shakespeare create and then undermine these images of worth, and what finally are we to think of these men by the end of the play?
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Obs. Cena (infelizmente) editada pelo youtuber que a postou.
https://www.youtube.com/watch?v=LWLoKo4bsrk
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Memorable excerpt from Welles' adaptation of William Shakespeare's Othello.
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Alemanha - 1978 - cor/pb - 83 min Direção: Orson Welles Roteiro: Orson Welles Elenco: Orson Welles , Micheal MacLiammoir , Hilton Edwards Gênero: documentário Idioma: inglês com legendas em português
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Highlights of a debate held on Sunday 9 August 2015 at the Swan Theatre, Stratford-upon-Avon. This was the second in a series of supporting discussions bringing together a variety of expert speakers and commentators to discuss issues and topics raised by our summer season of plays, including The Merchant of Venice, Othello and The Jew of Malta. Speakers discuss whether Othello can be considered a racist play. The debate drew on our then current production, and examined what it means to stage a contemporary interpretation of the play. You can hear more by clicking the ‘i’ icon on the top right of the film to skip to the audio recording of any of the speakers, or to the full length audio recording of the event.
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Documentário que mostra os bastidores da montagem da peça Otelo, de William Shakespeare. Com direção de Debora DuBois, produção de Antonio Ranieri e realização AR Produções. 2015.
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Paulo Autran - MONÓLOGO DE OTELO, AO DOGE DE VENEZA - William Skapespeare - tradução de Onestaldo Penafort. Nosso agradecimento ao Barão do Pandeiro, por ter enviado o fonegrama e pela excelente lembrança. Coisas que o tempo levou.
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In the second of our new series, Behind Closed Doors, the Company of Romeo & Juliet take you into the heart of the play’s journey from page to stage, offering a rare insight into the complex discussions that often take place in a rehearsal room and form an essential part of ensuring the play speaks to audiences today. Director Ola Ince, and Actors Alfred Enoch & Sargon Yelda, are joined by Psychotherapist Rachael Williams for an honest discussion around mental health. This film was originally made in July 2020 between national lockdowns, and before rehearsals for our current production of Romeo & Juliet began in May 2021. Some of the content of this discussion may not reflect the final production. Behind Closed Doors is a series of mini documentaries looking at how each play in our Summer 2021 season can help us explore the social, political and cultural issues of our modern world. Behind Closed Doors is supported by Warner Media. Discover more about our Summer 2021 season: https://bit.ly/GlobeSummer2021 Discover more about Romeo & Juliet: https://bit.ly/GlobeRomeo2021
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Lecturer: Paul Cantor, University of Virginia.
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Apresentação do espetáculo Romeu e Julieta do Grupo Galpão no Globe Theatre em Londres em 2012 Concepção e Direção Geral: Gabriel Villela. Em poortugu}es, com legendas em inglês.
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Noted author and literary critic Harold Bloom provides his unparalleled analysis of Shakespeare's tragic love story. Focusing his attention squarely on the role Juliet plays in the play, Bloom argues that it is her characterization and dialogue that marks the beginning of Shakespeare's maturity as an artist. In this tale we see what may be the definitive portrait of a woman in love, and indeed, Juliet's ability to find words for complicated emotions is a major reason Romeo and Juliet have become the romantic ideal.
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Act 2 Scene 4
Act 2 Scene 5
Act 2 Scene 6
Act 3 Scene 4
Act 3 Scene 5
Act 4 Scene 1
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Montagem de Antunes Filho, 1984, Teatro Anchieta, São Paulo.
Em cena: Giulia Gam (Julieta) e Marlene Fortuna (Ama)
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Cobertura de TV americana sobre a estréia de Sonho de Uma Noite de Verão em New York. O espetáculo do Teatro do Ornitorrinco com produção do lendário Joseph Papp e direção de Cacá Rosset foi apresentado no Delacorte Theater (Central Park) com um estrondoso sucesso de público e crítica. "Director Caca Rosset is founder and director of Brazil's famed Teatro do Ornitorrinco. He is best known in New York for having translated, adapted and directed the highly acclaimed and carnavalesque production of A MIDSUMMER NIGHT'S DREAM at the Delacorte Theater." -
Cobertura de TV americana sobre a estréia de Sonho de Uma Noite de Verão em New York. O espetáculo do Teatro do Ornitorrinco com produção do lendário Joseph Papp e direção de Cacá Rosset foi apresentado no Delacorte Theater (Central Park) com um estrondoso sucesso de público e crítica. "Director Caca Rosset is founder and director of Brazil's famed Teatro do Ornitorrinco. He is best known in New York for having translated, adapted and directed the highly acclaimed and carnavalesque production of A MIDSUMMER NIGHT'S DREAM at the Delacorte Theater."
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. Teseu, Duque de Atenas - Renato Wiemer . Hipólita, rainha das Amazonas - Amanda Acosta . Egeu, pai de Hérmia - Alberto Dwek . Demétrio, apaixonada por Hérmia - Daniel Abrantes . Lisandro, apaixonado por Hérmia - André Kirmayr . Hérmia, filha de Egeu apaixonada por Lisandro - Lena Roque . Helena, apaixonada por Demétrio - Claudia Missura . Puck, ou Robin Bom Camarada - Fernanda Viacava . Fada - Ariel Moshe . Titânia, rainha das Fadas - Amanda ACosta . Oberon, Rei dos Elfos - Renato Wiemer . Pedro Marmelo, carpinteiro (Prólogo) - Alberto Dwek . Nick Fundilhos, tecelão (Píramo) - Luciano Schwab . Francisco Flauta, Consertador de foles (Tisbe) - Tuna Dwek . Tomás Focinho, funileiro (Muro) - Ariel Moshe . Robin Faminto, alfaiate (Luar) - Thogun Teixeira . Bem-Feito, marceneiro (Leão) - Lilian Blanc
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Cobertura de TVs americanas de "Sonho de Uma Noite de Verão" espetáculo do Teatro do Ornitorrinco com produção do lendário Joseph Papp e direção de Cacá Rosset foi apresentado no Delacorte Theater (Central Park) com um estrondoso sucesso de público e crítica!!! Notice Age-restricted video (based on Community Guidelines)
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Joseph Papp saúda o elenco do Ornitorrinco antes da última apresentação de "Sonho de Uma Noite de Verão" no Delacorte Theater em New York. "Director Caca Rosset is founder and director of Brazil's famed Teatro do Ornitorrinco. He is best known in New York for having translated, adapted and directed the highly acclaimed and carnavalesque production of A MIDSUMMER NIGHT'S DREAM at the Delacorte Theater.
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Jakob Ludwig Felix Mendelssohn Bartholdy (1809-1847) A Midsummer Night's Dream Op.61 (1842)
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Here is the complete PBS broadcast with a stellar cast. The dancers are listed in the opening credits. As one who danced the roles of "Oberon" and "Puck" under Balanchine's direction years before this film, I can say confidently that this is a wonderful performance.
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A Midsummer Night's Dream 1935 Directed by William Dieterie , Max Reinhardt
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A Midsummer Night's Dream 1935 End Scene Oberon & Titania, with all their Train.
Puck..... "If we shadows have offended, Think but this, and all is mended, That you have slumb'red here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend. If you pardon, we will mend. And, as I am honestPuck, If we have unearned luck Now to scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call. So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends." -
Hermia loves Lysander and Helena loves Demetrius – but Demetrius is supposed to be marrying Hermia… When the Duke of Athens tries to enforce the marriage, the lovers take refuge in the woods and wander into the midst of a dispute between the king and queen of the fairies. Shakespeare put some of his most dazzling dramatic poetry at the service of this teasing, glittering, hilarious and amazingly inventive play, whose seriousness is only fleetingly glimpsed beneath its dreamlike surface. Michelle Terry won the 2011 Olivier Award for her portrayal of Sylvia in Tribes (Royal Court). Michelle returns to the Globe having previously played the Princess of France in Love’s Labours Lost (2007). Oberon / Theseus: John Light Bottom: Pearce Quigley Titania / Hippolyta: Michelle Terry Lysander: Luke Thompson Puck: Matthew Tennyson Snout: Tom Lawrence Flute: Christopher Logan Helena: Sarah MacRae Director: Dominic Dromgoole Music: Claire van Kampen Recorded live at Shakespeare’s Globe, London June 2013. Catalogue number: OA1138D Release Date - September 2014
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Peter Brook is joined on stage at the British Library by original cast members Sir Ben Kingsley and Frances de la Tour and Shakespeare scholar Peter Holland to discuss his radical staging of 'A Midsummer Night’s Dream' at the RSC in 1970.
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A Midsummer Night's Dream, 1970: Helena grapples with an unwilling Demetrius, Act 2 Scene 1. Sally Jacobs designed a set consisting of a brilliantly-lit white box which replaced the traditional Dream set design of pretty forest and classical Athenian court. The actors wore bright silks and performed circus skills such as plate-spinning and trapeze-swinging, inspired by Chinese acrobats.
By doubling the roles of Oberon and Theseus and those of Titania and Hippolyta (played by Alan Howard and Sara Kestelman), Brook made it clear that the Fairy King and Queen were the alter egos of the mortal rulers. In this way, Brook suggested that the conflicts and erotic adventures of the nocturnal wood were the uncontrollable eruption of subconscious fears and desires.
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This note describes and analyzes a full-length, archival recording of Peter Brook's A Midsummer Night's Dream (1970) long thought to be lost, but recently rediscovered by the author. Now preserved on DVD, it is available to scholars at the Royal Shakespeare Company Archives, housed at the Shakespeare Birthplace Trust in Stratford-upon-Avon.
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Peter Brook's landmark production featured a white box and trapeze set designed by Sally Jacobs. Brook approached the play with deliberate radicalism, taking up the baton from Granville-Barker almost 60 years earlier who innovatively presented the play in London on an apron stage with minimal set. Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/Shakespe... The 1970 Royal Shakespeare Company (RSC) production of A Midsummer Night's Dream was directed by Peter Brook, and is often known simply as Peter Brook's Dream. It opened in the Royal Shakespeare Theatre at Stratford-upon-Avon and then moved to the Aldwych Theatre in London's West End in 1971. It was taken on a world tour in 1972–1973. Brook's production of A Midsummer Night's Dream for the RSC is often described as one of the 20th century's most influential productions of Shakespeare, as it rejected many traditional ideas about the staging of classic drama.
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1989 - Dead Poets Society - Neil as Puck (Robert Sean Leonard) performing William Shakespeare's play A Midsummer Night's Dream
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Starring: Robin Williams, Ethan Hawke, Josh Charles Directed By: Peter Weir Synopsis: English teacher John Keating inspires his students to look at poetry with a different perspective of authentic knowledge and feelings
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Alunos que apresentaram:Bruna SalvadorFelipe RamosMaria Carolina FerreiraSuelen Silva
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Aluna que apresentou:
Giovanna Bruno Menegasso
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Aluno que apresentou:
Murilo Franco
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Alunas que apresentaram:
Ingrid Benício
Laís Urbanski
Luiza Camolesi
Marina Mendonça Santiago
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